Once more Satan appears to warn our Lord that the dreams of the night and the horrors of the tempest were foreshadowings of what he will have to undergo.

In spite of this, Christ assures him he is toiling in vain; whereupon swollen with rage, Satan confesses that ever since he heard Gabriel's announcement to the shepherds in regard to Christ's birth, he has watched him, hoping to get some hold upon him during his infancy, youth, or early manhood.

He now inquires whether Christ is really his destined foe and reluctantly admits he has failed in all his endeavors to tempt him.

But one last test still remains to be tried, for Satan suddenly conveys Christ to the topmost pinnacle of the Temple of Jerusalem, bidding him demonstrate his divinity by fearlessly casting himself down, since God has "given his angels charge concerning him." Not only, does our Lord reprove the tempter, but so calmly manifests his divine power by standing erect on this dangerous point, that Satan--like all other defeated monsters, such as the Sphinx--falls howling down into the infernal regions.

At the same time angels convey our Lord to a lovely valley, where they minister unto him with celestial food and celebrate his victory with a triumphal hymn, for the Son of God has successfully resisted the tempter, before whom Adam succumbed, and has thereby saved man from the penalty of his sin.
Henceforth Satan will never again dare set foot in Paradise, where Adam and his chosen descendants are to dwell secure, while the Son of Man completes the work he has been sent to do.
Thus they the Son of God, our Saviour meek, Sung victor, and from heavenly feast refreshed Brought on his way with joy; he unobserved Home to his mother's private house returned.
GERMAN EPICS German literature begins after the great migrations (_circa_ 600), and its earliest samples are traditional songs of an epic character, like the Hildebrandslied.