As men were born so they lived; they could not advance, and when this is the case the idea of Fate is always predominant.

The workings of destiny, the Irresistible overpowering both the good and the evil-disposed, such as were traced in the Greek drama, were paralleled in the lives of many a miserable slave at that day.

They were forced to endure, for there was no possibility of effort.
Aurora saw this and felt it deeply; ever anxious as she was for the good of all, she saw the sadness that reigned even in the midst of the fresh foliage of spring and among the flowers.

It was Fate; it was Sophocles.
She took the part of the heroine herself, clad in Greek costume; Felix listened and watched, absorbed in his love.

Never had that ancient drama appeared so beautiful as then, in the sunlight; the actors stepped upon the daisied sward, and the song of birds was all their music.
While the play was still proceeding, those who were to form the usual procession had already been assembling in the court before the castle, and just after noon, to the sound of the trumpet, the Baron, with his youngest son beside him (the eldest was at Court), left the porch, wearing his fur-lined short mantle, his collar, and golden spurs, and the decoration won so many years before; all the insignia of his rank.
He walked; his war-horse, fully caparisoned, with axe at the saddle-bow, was led at his right side, and upon the other came a knight carrying the banneret of the house.
The gentlemen of the house followed closely, duly marshalled in ranks, and wearing the gayest dress; the leading retainers fully armed, brought up the rear.