What had led to the complete disappearance of this earliest "set," to use a theatrical phrase, from the scenery of her childhood, Marcella did not yet adequately know, though she had some theories and many suspicions in the background of her mind.

But at any rate this first image of memory was succeeded by another precise as the first was vague--the image of a tall white house, set against a white chalk cliff rising in terraces behind it and alongside it, where she had spent the years from nine to fourteen, and where, if she were set down blindfold, now, at twenty-one, she could have found her way to every room and door and cupboard and stair with a perfect and fascinated familiarity.
When she entered that house she was a lanky, black-eyed creature, tall for her age, and endowed or, as she herself would have put it, cursed with an abundance of curly unmanageable hair, whereof the brushing and tending soon became to a nervous clumsy child, not long parted from her nurse, one of the worst plagues of her existence.

During her home life she had been an average child of the quick and clever type, with average faults.

But something in the bare, ugly rooms, the discipline, the teaching, the companionship of Miss Frederick's Cliff House School for Young Ladies, transformed little Marcella Boyce, for the time being, into a demon.

She hated her lessons, though, when she chose, she could do them in a hundredth part of the time taken by her companions; she hated getting up in the wintry dark, and her cold ablutions with some dozen others in the comfortless lavatory; she hated the meals in the long schoolroom, where, because twice meat was forbidden and twice pudding allowed, she invariably hungered fiercely for more mutton and scorned her second course, making a sort of dramatic story to herself out of Miss Frederick's tyranny and her own thwarted appetite as she sat black-browed and brooding in her place.