[Dead Souls by Nikolai Vasilievich Gogol]@TWC D-Link bookDead Souls CHAPTER XI 50/61
Also, should my readers gird at me for a certain dimness and want of clarity in my principal characters and actors, that will be tantamount to saying that never do the broad tendency and the general scope of a work become immediately apparent. Similarly does the entry to every town--the entry even to the Capital itself--convey to the traveller such an impression of vagueness that at first everything looks grey and monotonous, and the lines of smoky factories and workshops seem never to be coming to an end; but in time there will begin also to stand out the outlines of six-storied mansions, and of shops and balconies, and wide perspectives of streets, and a medley of steeples, columns, statues, and turrets--the whole framed in rattle and roar and the infinite wonders which the hand and the brain of men have conceived.
Of the manner in which Chichikov's first purchases were made the reader is aware.
Subsequently he will see also how the affair progressed, and with what success or failure our hero met, and how Chichikov was called upon to decide and to overcome even more difficult problems than the foregoing, and by what colossal forces the levers of his far-flung tale are moved, and how eventually the horizon will become extended until everything assumes a grandiose and a lyrical tendency.
Yes, many a verst of road remains to be travelled by a party made up of an elderly gentleman, a britchka of the kind affected by bachelors, a valet named Petrushka, a coachman named Selifan, and three horses which, from the Assessor to the skewbald, are known to us individually by name.
Again, although I have given a full description of our hero's exterior (such as it is), I may yet be asked for an inclusive definition also of his moral personality.
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