[Prefaces and Prologues to Famous Books by Charles W. Eliot]@TWC D-Link book
Prefaces and Prologues to Famous Books

PREFACE TO CROMWELL
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The name of Oliver Cromwell suggested to him simply the bare conception of a fanatical regicide and a great captain.

Only on prowling among the chronicles of the times, which he did with delight, and on looking through the English memoirs of the seventeenth century, was he surprised to find that a wholly new Cromwell was gradually exposed to his gaze.

It was no longer simply Bossuet's Cromwell the soldier, Cromwell the politician; it was a complex, heterogenous, multiple being, made up of all sorts of contraries--a mixture of much that was evil and much that was good, of genius and pettiness; a sort of Tiberius-Dandin, the tyrant of Europe and the plaything of his family; an old regicide, who delighted to humiliate the ambassadors of all the kings of Europe, and was tormented by his young royalist daughter; austere and gloomy in his manners, yet keeping four court jesters about him; given to the composition of wretched verses; sober, simple, frugal, yet a stickler for etiquette; a rough soldier and a crafty politician; skilled in theological disputation and very fond of it; a dull, diffuse, obscure orator, but clever in speaking the language of anybody whom he wished to influence; a hypocrite and a fanatic; a visionary swayed by phantoms of his childhood, believing in astrologers and banishing them; suspicious to excess, always threatening, rarely sanguinary; a strict observer of Puritan rules, and solemnly wasting several hours a day in buffoonery; abrupt and contemptuous with his intimates, caressing with the secretaries whom he feared, holding his remorse at bay with sophistry, paltering with his conscience, inexhaustible in adroitness, in tricks, in resources; mastering his imagination by his intelligence; grotesque and sublime; in a word, one of those men who are "square at the base," as they were described by Napoleon, himself their chief, in his mathematically exact and poetically figurative language.
He who writes these lines, in presence of this rare and impressive _ensemble_, felt that Bossuet's impassioned sketch was no longer sufficient for him.

He began to walk about that lofty figure, and he was seized by a powerful temptation to depict the giant in all his aspects.

It was a rich soil.


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