[Prefaces and Prologues to Famous Books by Charles W. Eliot]@TWC D-Link bookPrefaces and Prologues to Famous Books PREFACE TO POEMS 23/46
It is not difficult to conceive that the Editor, George Steevens, should have been insensible to the beauties of one portion of that Volume, the Sonnets; though in no part of the writings of this Poet is found, in an equal compass, a greater number of exquisite feelings felicitously expressed.
But, from regard to the Critic's own credit, he would not have ventured to talk of an[6] act of parliament not being strong enough to compel the perusal of those little pieces, if he had not known that the people of England were ignorant of the treasures contained in them: and if he had not, moreover, shared the too common propensity of human nature to exult over a supposed fall into the mire of a genius whom he had been compelled to regard with admiration, as an inmate of the celestial regions--'there sitting where he durst not soar.' Nine years before the death of Shakespeare, Milton was born, and early in life he published several small poems, which, though on their first appearance they were praised by a few of the judicious, were afterwards neglected to that degree, that Pope in his youth could borrow from them without risk of its being known.
Whether these poems are at this day justly appreciated, I will not undertake to decide nor would it imply a severe reflection upon the mass of readers to suppose the contrary, seeing that a man of the acknowledged genius of Voss, the German poet, could suffer their spirit to evaporate, and could change their character, as is done in the translation made by him of the most popular of these pieces.
At all events, it is certain that these Poems of Milton are now much read, and loudly praised, yet were they little heard of till more than 150 years after their publication, and of the Sonnets, Dr.Johnson, as appears from Boswell's _Life_ of him, was in the habit of thinking and speaking as contemptuously as Steevens wrote upon those of Shakespeare. About the time when the Pindaric odes of Cowley and his imitators, and the productions of that class of curious thinkers whom Dr.Johnson has strangely styled metaphysical Poets, were beginning to lose something of that extravagant admiration which they had excited, the _Paradise Lost_ made its appearance.
'Fit audience find though few,' was the petition addressed by the Poet to his inspiring Muse.
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