[Prefaces and Prologues to Famous Books by Charles W. Eliot]@TWC D-Link book
Prefaces and Prologues to Famous Books

PREFACE TO POEMS
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But he was a great power, and bears a high name: the laurel has been awarded to him.
A dramatic Author, if he write for the stage, must adapt himself to the taste of the audience, or they will not endure him; accordingly the mighty genius of Shakespeare was listened to.

The people were delighted: but I am not sufficiently versed in stage antiquities to determine whether they did not flock as eagerly to the representation of many pieces of contemporary Authors, wholly undeserving to appear upon the same boards.

Had there been a formal contest for superiority among dramatic writers, that Shakespeare, like his predecessors Sophocles and Euripides, would have often been subject to the mortification of seeing the prize adjudged to sorry competitors, becomes too probable, when we reflect that the admirers of Settle and Shadwell were, in a later age, as numerous, and reckoned as respectable, in point of talent, as those of Dryden.

At all events, that Shakespeare stooped to accommodate himself to the People, is sufficiently apparent; and one of the most striking proofs of his almost omnipotent genius is, that he could turn to such glorious purpose those materials which the prepossessions of the age compelled him to make use of.

Yet even this marvellous skill appears not to have been enough to prevent his rivals from having some advantage over him in public estimation; else how can we account for passages and scenes that exist in his works, unless upon a supposition that some of the grossest of them, a fact which in my own mind I have no doubt of, were foisted in by the Players, for the gratification of the many?
But that his Works, whatever might be their reception upon the stage, made but little impression upon the ruling Intellects of the time, may be inferred from the fact that Lord Bacon, in his multifarious writings, nowhere either quotes or alludes to him.[5] His dramatic excellence enabled him to resume possession of the stage after the Restoration; but Dryden tells us that in his time two of the plays of Beaumont and Fletcher were acted for one of Shakespeare's.


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