Then follow the hobble-de-hoy kitchen dishes, then the chairs, then the clothing, and the carpets from over the house.

The most joyous and curious spectacle is to behold the shoes walking down the boulevard, from father's large boots to those of the youngest child.

They form a complete satire of the family, yet have a masterful air of their own, as though they were the most important part of a human being.
The new apartment is shown.

Everything enters in procession.

In contrast to the general certainty of the rest, one or two pieces of furniture grow confused trying to find their places.