Freeburg has an excellent education in the history of music, and some of the happiest passages in his work relate the photoplay to the musical theory of the world, as my book relates it to the general Art Museum point of view of the world.

Emphatically, my book belongs in the Art Institutes as a beginning, or in such religious and civic bodies as think architecturally.

From there it must work its way out.

Of course those bodies touch on a thousand others.
The work is being used as one basis of the campaign for the New Denver Art Museum, and I like to tell the story of how George W.Eggers of Denver first began to apply the book when the Director of the Art Institute, Chicago, that it may not seem to the merely University type of mind a work of lost abstractions.

One of the most gratifying recognitions I ever received was the invitation to talk on the films in Fullerton Hall, Chicago Art Institute.