[The Art Of The Moving Picture by Vachel Lindsay]@TWC D-Link book
The Art Of The Moving Picture

BOOK I--THE GENERAL PHOTOPLAY SITUATION IN AMERICA, JANUARY 1, 1922
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And the motion picture discipline of the American eye has had a deal to do with this increasing tendency to news-stand and architectural standardization and architectural thinking, such as it is.
But I meant this suggestion to go further, and to be taken in a higher sense, so I ask these people to read this chapter again.

I have carried out the idea, in a parable, perhaps more clearly in The Golden Book of Springfield, when I speak of the World's Fair of the University of Springfield, to be built one hundred years hence.

And I would recommend to those who have already taken seriously chapter eighteen, to reread it in two towns, amply worth the car fare it costs to go to both of them.
First, Santa Fe, New Mexico, at the end of the Santa Fe Trail, the oldest city in the United States, the richest in living traditions, and with the oldest and the newest architecture in the United States; not a stone or a stick of it standardized, a city with a soul, Jerusalem and Mecca and Benares and Thebes for any artist or any poet of America's future, or any one who would dream of great cities born of great architectural photoplays, or great photoplays born of great cities.

And the other city, symbolized by The Golden Rain Tree in The Golden Book of Springfield, is New Harmony, Indiana.

That was the Greenwich Village of America more than one hundred years ago, when it was yet in the heart of the wilderness, millions of miles from the sea.


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