5/32 There is a type of social prophet allied to Verne. Edward Bellamy, in Looking Backward, reduced the world to a matter of pressing the button, turning on the phonograph. It was a combination of glorified department-store and Coney Island, on a cooperative basis. A seventeen-year-old boy from the country, making his first visit to the Woolworth building in New York, and riding in the subway when it is not too crowded, might be persuaded by an eloquent city relative that this is Bellamy's New Jerusalem. But he too, in spite of his humanitarian heart, has, in a great mass of his work, the laboratory imagination. |