Vedder's portraits of Lazarus and Samson are conceptions that touch the hem of the unknown.
George Frederick Watts was a painter of portraits of the soul itself, as in his delineations of Burne-Jones and Morris and Tennyson.
It is a curious thing that two prophet-wizards have combined pictures and song.

Blake and Rossetti, whatever the failure of their technique, never lacked in enchantment.

Students of the motion picture side of poetry would naturally turn to such men for spiritual precedents.

Blake, that strange Londoner, in his book of Job, is the paramount example of the enchanter doing his work with the engraving tool in his hand.
Rossetti's Dante's Dream is a painting on the edge of every poet's paradise.

As for the poetry of these two men, there are Blake's Songs of Innocence, and Rossetti's Blessed Damozel and his Burden of Nineveh.
As for the other poets, we have Coleridge, the author of Christabel, that piece of winter witchcraft, Kubla Khan, that oriental dazzlement, and the Ancient Mariner, that most English of all this list of enchantments.