Till that time there should be tireless if indirect propaganda that will further the architectural state of mind, and later bring about the elucidation of the plans while they are being perfected.
For many years this America, founded on the psychology of the Splendor Photoplay, will be evolving.

It might be conceived as a going concern at a certain date within the lives of men now living, but it should never cease to develop.
To make films of a more beautiful United States is as practical and worth while a custom as to make military spy maps of every inch of a neighbor's territory, putting in each fence and cross-roads.

Those who would satisfy the national pride with something besides battle flags must give our people an objective as shining and splendid as war when it is most glittering, something Napoleonic, and with no outward pretence of excessive virtue.

We want a substitute as dramatic internationally, yet world-winning, friend making.

If America is to become the financial centre through no fault of her own, that fact must have a symbol other than guns on the sea-coast.
If it is inexpedient for the architectural patriarchs and their young hopefuls to take over the films bodily, let a board of strategy be formed who make it their business to eat dinner with the scenario writers, producers, and owners, conspiring with them in some practical way.
Why should we not consider ourselves a deathless Panama-Pacific Exposition on a coast-to-coast scale?
Let Chicago be the transportation building, Denver the mining building.