First: the rectitude of the Chinese actors of San Francisco who kept the dramatic tradition alive, a tradition that was bequeathed from the ancient generations.

Then the artistic integrity of the men who readapted the tradition for western consumption, and their religious attitude that kept the high teaching and devout feeling for human life intact in the play.

Then the zeal of the Drama League that indorsed it for the country.

Then the earnest work of the Coburn Players who embodied it devoutly, so that the whole company became dear friends forever.
By some such ladder of conscience as this can the local scenario be endowed, written, acted, filmed, and made a real part of the community life.

The Yellow Jacket was a drama, not a photoplay.