[The Art Of The Moving Picture by Vachel Lindsay]@TWC D-Link book
The Art Of The Moving Picture

CHAPTER XIII
9/27

No doubt the king and queen of beasts will become as versatile and humbly useful as the letter L itself: that is, in the commonplace routine photoplay.

We turn the cardboard over and the lion becomes a resource of glory and terror, a symbol of cruel persecutions or deathless courage, sign of the zodiac that Poe in Ulalume calls the Lair of the Lion.
Here is an owl: [Illustration] Roman equivalent, the letter M.The only use of the owl I can record is to be inscribed on the white surface.

In The Avenging Conscience, as described in chapter ten, the murderer marks the ticking of the heart of his victim while watching the swinging of the pendulum of the old clock, then in watching the tapping of the detective's pencil on the table, then in the tapping of his foot on the floor.

Finally a handsome owl is shown in the branches outside hoot-hooting in time with the action of the pencil, and the pendulum, and the dead man's heart.
But here is a wonderful thing, an actual picture that has lived on, retaining its ancient imitative sound and form: [Illustration] the letter N, the drawing of a wave, with the sound of a wave still within it.

One could well imagine the Nile in the winds of the dawn making such a sound: "NN, N, N," lapping at the reeds upon its banks.


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