The soundest actors, photographers, and producers will be those who emphasize the points wherein the photoplay is unique.

What is adapted to complete expression in one art generally secures but half expression in another.

The supreme photoplay will give us things that have been but half expressed in all other mediums allied to it.
Once this principle is grasped there is every reason why the same people who have interested themselves in the advanced experimental drama should take hold of the super-photoplay.

The good citizens who can most easily grasp the distinction should be there to perpetuate the higher welfare of these institutions side by side.

This parallel development should come, if for no other reason, because the two arts are still roughly classed together by the public.