So let him for the time surrender completely to that great Greek.

He is worthy of a monument nobler than any America has set up to any one.

The final pictures may be taken in front of buildings with which the architect or his favorite master has already edified this republic, or if the war is over, before some surviving old-world models.

But whatever the method, let him study to express at last the thing that moves within him as a creeping fire, which Americans do not yet understand and the loss of which makes the classic in our architecture a mere piling of elegant stones upon one another.

In the arrangement of crowds and flow of costuming and study of tableau climaxes, let the architect bring an illusion of that delicate flowering, that brilliant instant of time before the Peloponnesian war.