Every aspect of sublimity of light suitable to a Madonna surrounded with angels, or a heavenly choir, finds its miniature response among the figures as the light moves.
"This was the method by which, in conjunction with a profound study of outward nature, sympathy with the beauty of different types of face and varieties of form, with the many changing hues of the Venetian scene, with the great laws of color and a knowledge of literature and history, he was able to shadow forth his great imagery of the intuitional world." This method of Tintoretto suggests several possible derivatives in the preparation of motion pictures.

Let the painters and sculptors be now called upon for painting models and sculptural models, while the architect, already present, supplies the architectural models, all three giving us visible scenarios to furnish the cardinal motives for the acting, from which the amateur photoplay company of the university can begin their interpretation.
For episodes that follow the precedent of the simple Action Film tiny wax models of the figures, toned and costumed to the heart's delight, would tell the high points of the story.

Let them represent, perhaps, seven crucial situations from the proposed photoplay.

Let them be designed as uniquely in their dresses as are the Russian dancers' dresses, by Leon Bakst.

Then to alternate with these, seven little paintings of episodes, designed in blacks, whites, and grays, each representing some elusive point in the intimate aspects of the story.