The beautiful Annabel bursts through the siege a moment too late; then, heart broken, kills herself.

These things are carried out by good technicians.

But it would have been better to have had the suicide with but a tiny part of the battle, and the story five reels long instead of six.

This physical turmoil is carried into the spiritual world only by the psychic momentum acquired through the previous confession scene.
The one thing with intrinsic pictorial heart-power is the death of Annabel by jumping off the sea cliff.
Then comes the awakening.

To every one who sees the film for the first time it is like the forgiveness of sins.