In still another time-unit the smoke rolls from the chimney, making no resistance to the wind.

In another unit, the lovers pace the sand.

Yet there is one least common multiple in which all move.

This the producing genius should sense and make part of the dramatic structure, and it would have its bearing on the periodic appearance of the minor and major crises.
Films like this, you say, would be hard to make.Yes.Here is the place to affirm that the one-reel Intimate Photoplay will no doubt be the form in which this type of time-and-space music is developed.

The music of silent motion is the most abstract of moving picture attributes and will probably remain the least comprehended.