[Cowper by Goldwin Smith]@TWC D-Link bookCowper CHAPTER VIII 10/26
Still _The Castaway_ ought to be an antidote to religious depression, since it is the work of a man of whom it would be absurdity to think as realty estranged from the spirit of good, who had himself done good to the utmost of his powers. Cowper died very peacefully on the morning of April 25, 1800, and was buried in Dereham Church, where there is a monument to him with an inscription by Hayley, which, if it is not good poetry, is a tribute of sincere affection. Any one whose lot it is to write upon the life and works of Cowper must feel that there is an immense difference between the interest which attaches to him, and that which attaches to any one among the far greater poets of the succeeding age.
Still there is something about him so attractive, his voice has such a silver tone, he retains, even in his ashes, such a faculty of winning friends that his biographer and critic may be easily beguiled into giving him too high a place.
He belongs to a particular religious movement, with the vitality of which the interest of a great part of his works has departed or is departing. Still more emphatically and in a still more important sense does he belong to Christianity.
In no natural struggle for existence would he have been the survivor, by no natural process of selection would he ever have been picked out as a vessel of honour.
If the shield which for eighteen centuries Christ by His teaching and His death has spread over the weak things of this world should fail, and might should again become the title to existence and the measure of worth, Cowper will be cast aside as a specimen of despicable infirmity, and all who have said anything in his praise will be treated with the same scorn. ***END OF THE PROJECT GUTENBERG EBOOK COWPER*** ******* This file should be named 12772.txt or 12772.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/7/7/12772 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties.
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