[The Shadow of the Cathedral by Vicente Blasco Ibanez]@TWC D-Link book
The Shadow of the Cathedral

CHAPTER I
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In one of the dwellings of the Claverias you could hear the incessant tap, tap, of a hammer; it was that of a shoemaker whom Gabriel had seen through the window-panes, bending over his bench.

In the square of sky framed by the roofs some pigeons were flying, lazily moving their wings, soaring in the vault of intense blue; some flew down into the cloister, and, perching on the balustrade, broke the religious silence with their gentle cooing; now and again the heavy door-curtains of the church were lifted, and a breath of air charged with incense floated over the garden of the Claverias, together with the deep notes of the organ, and the sound of voices chanting Latin words and solemnly prolonging the cadences.
Gabriel looked at the garden surrounded by its arcades of white stone, with its rough buttresses of dark granite, in the chinks of which the rain had left an efflorescence of fungus, like little tufts of black velvet.

The sun struck on one angle of the garden, leaving the rest in cool green shade, a conventual twilight.

The bell-tower hid one portion of the sky, displaying on its reddish sides, ornamented with Gothic tracery and salient buttresses, the fillets of black marble with heads of mysterious personages, and the shields with the arms of the different archbishops who had assisted at its building; above, near the pinnacles of white stone, were seen the bells behind enormous gratings; from below they looked like three bronze birds in a cage of iron.
Three deep strokes from a bell, echoing round the Cathedral, announced that the High Mass had arrived at its most solemn moment, the mountain of stone seemed to tremble with the vibration, which was transmitted through the naves and galleries, to the arcades and down to the lowest foundations.
Again there was silence, which seemed even deeper after the bronze thunders; the cooing of the pigeons could again be heard, and, down in the garden, the twittering of the birds, warmed by the sun's rays that began to gild its cool twilight.
Gabriel felt himself deeply moved; the sweet silence, the absolute calm, the feeling almost of non-existence overpowered him; and beyond those walls was the world, but here it could not be seen, it could not be felt; it remained respectful but indifferent before that monument of the past, that splendid sepulchre, in whose interior nothing excited its curiosity.

Who would ever imagine he was there?
That growth of seven centuries, built by vanished greatness for a dying faith, should be his last refuge.


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