9/56 Giotto succeeded in presenting the idea, the feeling, the pith of the event, and pierced at once to the very ground-root of imagination. Masaccio thinks over-much, perhaps, of external form, and is intent on air-effects and colouring. He realises the phenomenal truth with a largeness and a dignity peculiar to himself. But we ask whether he was capable of bringing close to our hearts the secret and the soul of spiritual things. Has not art beneath his touch become more scenic, losing thereby somewhat of dramatic poignancy? |