[Renaissance in Italy Vol. 3 by John Addington Symonds]@TWC D-Link book
Renaissance in Italy Vol. 3

CHAPTER V
19/56

While the artists around him were absorbed in mastering the laws of geometry and anatomy, Fra Angelico sought to express the inner life of the adoring soul.

Only just so much of realism, whether in the drawing of the body and its drapery, or in the landscape background, as seemed necessary for suggesting the emotion or for setting forth the story, found its way into his pictures.

The message they convey might have been told almost as perfectly upon the lute or viol.

His world is a strange one--a world not of hills and fields and flowers and men of flesh and blood, but one where the people are embodied ecstasies, the colours tints from evening clouds or apocalyptic jewels, the scenery a flood of light or a background of illuminated gold.

His mystic gardens, where the ransomed souls embrace, and dance with angels on the lawns outside the City of the Lamb, are such as were never trodden by the foot of man in any paradise of earth.
Criticism has a hard task in attempting to discern the merit of the several painters of this time.


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