In each of the remaining pairs one gladiator is on the point of yielding to his adversary.

There are thus three several moments of duel to the death, each illustrated by two couples.

The mathematical distribution of these dreadful groups gives an effect of frozen passion; while the vigorous workmanship displays not only an enthusiasm for muscular anatomy, but a real sympathy with blood-fury in the artist.
There was, therefore, a certain propriety in the choice of Pollajuolo to cast the sepulchre of Sixtus IV.

in bronze at Rome.

The best judges complain, not without reason, that the allegories surrounding this tomb are exaggerated and affected in style; yet the dead Pope, stretched in pomp upon his bier, commands more than merely historical interest; while the figures, seated as guardians round the old man, terrible in death, communicate an impression of monumental majesty.