[The Life of Marie de Medicis, Vol. 1 (of 3) by Julia Pardoe]@TWC D-Link book
The Life of Marie de Medicis, Vol. 1 (of 3)

CHAPTER VI
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It would appear, indeed, that Marie herself soon became reconciled to the sex of the infant Princess, as Bassompierre has left it upon record that even before she was sufficiently recovered to leave her room she used to send for him to play cards with her, an invitation which was always welcome to the handsome and dissipated courtier.[319] She no sooner appeared in public, however, than other and more brilliant amusements were provided for her, consisting of jousts and banquets, Italian comedies and Court balls; but all these were exceeded in interest by a ballet that was performed on horseback in the great court of the Louvre, which had been thickly strewn with sand and surrounded by barriers, save at one opening opposite the seats prepared for their Majesties, through which the four nobles by whom the entertainment had been devised were to enter with their respective trains from the Hotel de Bourbon.
The balconies and windows of the palace were crowded with splendidly dressed nobles and courtiers of both sexes, while a dense mass of people occupied every available spot of ground beyond the enclosure, where platforms had also been erected for the more respectable of the citizens and their families.

The King and Queen were seated in the balcony of the centre window, which was draped with crimson velvet, having on their right and left several of the Princes of the Blood and ladies of the highest rank, while immediately behind them were placed the great officers of the Crown and the captains of the bodyguard.

The hour selected for this novel and extraordinary exhibition was ten at night, and hundreds of lamps and double the number of torches were affixed to the _facade_ of the palace, towards which every eye was upturned from the compact crowd below.

The ballet was designed to represent the four primary Elements, and the appointed moment had no sooner arrived than a flourish of trumpets announced the approach of the Due de Bellegarde, who with his party were to personate Water.

The procession was opened by twenty-four pages habited in cloth of silver, each attended by two torch-bearers; these were followed by twelve Syrens playing on hautboys, who were in their turn succeeded by a pyramid whose summit was crowned by a gigantic figure of Neptune, surrounded by water-gods and marine divinities and insignia of every description.


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