[Cowmen and Rustlers by Edward S. Ellis]@TWC D-Link bookCowmen and Rustlers CHAPTER XXXV 9/26
They therefore fled in the darkness, the promptness of the leaders probably hastened by the knowledge that they were the parties for whom the stockmen were looking. And so ended the campaign.
The situation had been critical for a long time, and there were moments, time and again, when the most trifling incident intervened to avert a fearful conflict between men of the same race and blood; but all had now passed, and it may be said that not so much as a hostile shot had been exchanged. The main events of the troubles in Wyoming between the cowmen and rustlers are too well remembered to require recital at our hands.
The expedition referred to in another place left Cheyenne in April for Nolan's Ranch, a hundred or more miles distant.
Within the following month, the Sixth U.S.Cavalry brought all of them back to Cheyenne as prisoners of war, thus saving them from extermination at the hands of the indignant rustlers, who had them hemmed in on all sides. Fred Whitney sold out his ranch, near the headwaters of Powder River, and moved eastward.
He was not actuated by fear, for it will be conceded that he proved his courage, but he desired to take his loved mother and sister away from the sorrowful memories that must always cling to the place. It will not surprise the reader to learn, further, that Monteith Sterry found it quite convenient to make his home in the same neighborhood with the Whitneys, and it was but a short time after this removal eastward that a most pleasing incident occurred in the lives of the young man and Miss Whitney, of the nature of which we are sure the reader does not need to be told. ***END OF THE PROJECT GUTENBERG EBOOK COWMEN AND RUSTLERS*** ******* This file should be named 11337.txt or 11337.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/3/3/11337 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties.
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