The Mosaic law had severely proscribed all representations of the Deity; and that precept was firmly established in the principles and practice of the chosen people.

The wit of the Christian apologists was pointed against the foolish idolaters, who bowed before the workmanship of their own hands; the images of brass and marble, which, had they been endowed with sense and motion, should have started rather from the pedestal to adore the creative powers of the artist.

[2] Perhaps some recent and imperfect converts of the Gnostic tribe might crown the statues of Christ and St.
Paul with the profane honors which they paid to those of Aristotle and Pythagoras; [3] but the public religion of the Catholics was uniformly simple and spiritual; and the first notice of the use of pictures is in the censure of the council of Illiberis, three hundred years after the Christian aera.

Under the successors of Constantine, in the peace and luxury of the triumphant church, the more prudent bishops condescended to indulge a visible superstition, for the benefit of the multitude; and, after the ruin of Paganism, they were no longer restrained by the apprehension of an odious parallel.

The first introduction of a symbolic worship was in the veneration of the cross, and of relics.