Gozzoli's predella is No.1302.Finally, look at No.

64, which shows how prettily certain imitators of Fra Angelico could paint.
After the Sala di Lorenzo Monaco let us enter the first Tuscan room.

The draughtsmanship of the great Last Judgment fresco by Fra Bartolommeo (1475-1517) and Mariotto Albertinelli (1474-1515) is very fine.

It is now a ruin, but enough remains to show that it must have been impressive.

These collaborators, although intimate friends, ultimately went different ways, for Fra Bartolommeo came under the influence of Savonarola, burned his nude drawings, and entered the Convent of S.Marco; whereas Albertinelli, who was a convivial follower of Venus, tiring of art and even more of art jargon, took an inn outside the S.Gallo gate and a tavern on the Ponte Vecchio, remarking that he had found a way of life that needed no knowledge of muscles, foreshortening, or perspective, and better still, was without critics.