Her face and hands are exquisite, and the Tuscan twilight behind her is so lovely.

I have given a reproduction, but colour is essential.
The remaining three pictures in the room are a Bastiano and a Pollaiolo, which are rather for the student than for the wanderer, and a charming Ignoto, No.

75, which I like immensely.

But Ignoto nearly always paints well.
In the Sala di Leonardo are two pictures which bear the name of this most fascinating of all the painters of the world.

One is the Annunciation, No.