but it is only a sketch.

Luca Signorelli's wild flowers in No.

74 seem to abide with me as vividly and graciously as anything; but they are but a detail and it is a very personal predilection.

Perhaps the great exotic work painted far away in Belgium--the Van der Goes triptych--is the most memorable; but to choose an alien canvas is to break the rules of the game.

Is it perhaps the unfinished Leonardo after all?
If not, and not the Botticelli, it is beyond question that lovely adoring Madonna, so gentle and sweet, against the purest and bluest of Tuscan skies, which is attributed to Filippino Lippi: No.