Their escutcheon is everywhere.

I ought, I believe, to have made them the subject of my first chapter.

But since I did not, let us without further delay turn to the Via Cavour, which runs away to the north from the Baptistery, being a continuation of the Via de' Martelli, and pause at the massive and dignified palace at the first corner on the left.
For that is the Medici's home; and afterwards we will step into S.Lorenzo and see the church which Brunelleschi and Donatello made beautiful and Michelangelo wonderful that the Medici might lie there.
Visitors go to the Riccardi palace rather to see Gozzoli's frescoes than anything else; and indeed apart from the noble solid Renaissance architecture of Michelozzo there is not much else to see.

In the courtyard are certain fragments of antique sculpture arranged against the walls, and a sarcophagus is shown in which an early member of the family, Guccio de' Medici, who was gonfalonier in 1299, once reposed.
There too are Donatello's eight medallions, but they are not very interesting, being only enlarged copies of old medals and cameos and not notable for his own characteristics.
Hence it is that, after Gozzoli, by far the most interesting part of this building is its associations.

For here lived Cosimo de' Medici, whose building of the palace was interrupted by his banishment as a citizen of dangerous ambition; here lived Piero de' Medici, for whom Gozzoli worked; here was born and here lived Lorenzo the Magnificent.