But upon Botticelli his influence was most powerful, for he turned that master's hand from such pagan allegories as the "Primavera" and the "Birth of Venus" wholly to religious subjects.
Savonarola had three adjoining cells.

In the first is a monument to him, his portrait by Fra Bartolommeo and three frescoes by the same hand.

In the next room is the glass case containing his robe, his hair shirt, and rosary; and here also are his desk and some books.

In the bedroom is a crucifixion by Fra Angelico on linen.

No one knowing Savonarola's story can remain here unmoved.
We find Fra Bartolommeo again with a pencil drawing of S.Antonio in that saint's cell.