The symbolical chariots in the landscape at the back represent respectively the Triumph of Fame (the Duke's) and the Triumph of Chastity (that of the Duchess).

The Duke's companions are Victory, Prudence, Fortitude, Justice, and Temperance; the little Duchess's are Love, Hope, Faith, Charity, and Innocence; and if these are not exquisite pictures I never saw any.
The statues in the room should not be missed, particularly the little Genius of Love, the Bacchus and Ampelos, and the spoilt little comely boy supposed to represent--and quite conceivably--the infant Nero.
Crossing the large Tuscan room again, we come to a little narrow room filled with what are now called cabinet pictures: far too many to study properly, but comprising a benignant old man's head, No.

1167, which is sometimes called a Filippino Lippi and sometimes a Masaccio, a fragment of a fresco; a boy from the serene perfect hand of Perugino, No.

1217; two little panels by Fra Bartolommeo--No.

1161--painted for a tabernacle to hold a Donatello relief and representing the Circumcision and Nativity, in colours, and at the back a pretty Annunciation in monochrome; No.