[The History of Rome, Book II by Theodor Mommsen]@TWC D-Link bookThe History of Rome, Book II CHAPTER IX 33/66
But in the course of the fifth century, and especially in the second half of it, there was a mighty activity in Roman art.
This was the epoch, in which the construction of the Roman arches and Roman roads began; in which works of art like the she-wolf of the Capitol originated; and in which a distinguished man of an old Roman patrician clan took up his pencil to embellish a newly constructed temple and thence received the honorary surname of the "Painter." This was not accident.
Every great age lays grasp on all the powers of man; and, rigid as were Roman manners, strict as was Roman police, the impulse received by the Roman burgesses as masters of the peninsula or, to speak more correctly, by Italy united for the first time as one state, became as evident in the stimulus given to Latin and especially to Roman art, as the moral and political decay of the Etruscan nation was evident in the decline of art in Etruria. As the mighty national vigour of Latium subdued the weaker nations, it impressed its imperishable stamp also on bronze and on marble. Notes for Book II Chapter IX 1.
I.XV.Earliest Hellenic Influences 2.
The account given by Dionysius (vi.
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