[The Primadonna by F. Marion Crawford]@TWC D-Link book
The Primadonna

CHAPTER III
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The exquisite voice does not grow weak and pathetic and ethereal by degrees, so that we still love to hear it, even to the end; far more often it is suddenly flat or sharp by a quarter of a tone throughout whole acts, or it breaks on one note in a discordant shriek that is the end.

Down goes the curtain then, in the middle of the great opera, and down goes the great singer for ever into tears and silence.

Some of us have seen that happen, many have heard of it; few can think without real sympathy of such mortal suffering and distress.
Margaret realised all this, without any illusion, but there was another side to the question.

There was success, glorious and far-reaching, and beyond her brightest dreams; there was the certainty that she was amongst the very first, for the deafening ring of universal applause was in her ears; and, above all, there was youth.
Sometimes it seemed to her that she had almost too much, and that some dreadful thing must happen to her; yet if there were moments when she faintly regretted the calmer, sweeter life she might have led, she knew that she would have given that life up, over and over again, for the splendid joy of holding thousands spellbound while she sang.

She had the real lyric artist's temperament, for that breathless silence of the many while her voice rang out alone, and trilled and died away to a delicate musical echo, was more to her than the roar of applause that could be heard through the walls and closed doors in the street outside.


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