She is a Montmorency, Briggs, and blood is something, though I despise it for my part; and she would have held her own amongst those pompous stupid Hampshire people much better than that unfortunate ironmonger's daughter." Briggs coincided as usual, and the "previous attachment" was then discussed in conjectures.

"You poor friendless creatures are always having some foolish tendre," Miss Crawley said.

"You yourself, you know, were in love with a writing-master (don't cry, Briggs--you're always crying, and it won't bring him to life again), and I suppose this unfortunate Becky has been silly and sentimental too--some apothecary, or house-steward, or painter, or young curate, or something of that sort." "Poor thing! poor thing!" says Briggs (who was thinking of twenty-four years back, and that hectic young writing-master whose lock of yellow hair, and whose letters, beautiful in their illegibility, she cherished in her old desk upstairs).

"Poor thing, poor thing!" says Briggs.
Once more she was a fresh-cheeked lass of eighteen; she was at evening church, and the hectic writing-master and she were quavering out of the same psalm-book.
"After such conduct on Rebecca's part," Miss Crawley said enthusiastically, "our family should do something.

Find out who is the objet, Briggs.