Slumber refused to visit his eyelids and the night was passed in feverish contemplation of the chain of circumstances tending to prove the identity of the mysterious visitant to the Colosseum with the inhabitant of the grotto of Monte Cristo; and the more he thought, the firmer grew his opinion on the subject.

Worn out at length, he fell asleep at daybreak, and did not awake till late.
Like a genuine Frenchman, Albert had employed his time in arranging for the evening's diversion; he had sent to engage a box at the Teatro Argentino; and Franz, having a number of letters to write, relinquished the carriage to Albert for the whole of the day.

At five o'clock Albert returned, delighted with his day's work; he had been occupied in leaving his letters of introduction, and had received in return more invitations to balls and routs than it would be possible for him to accept; besides this, he had seen (as he called it) all the remarkable sights at Rome.
Yes, in a single day he had accomplished what his more serious-minded companion would have taken weeks to effect.

Neither had he neglected to ascertain the name of the piece to be played that night at the Teatro Argentino, and also what performers appeared in it.
The opera of "Parisina" was announced for representation, and the principal actors were Coselli, Moriani, and La Specchia.

The young men, therefore, had reason to consider themselves fortunate in having the opportunity of hearing one of the best works by the composer of "Lucia di Lammermoor," supported by three of the most renowned vocalists of Italy.