Then Gay takes it up and does the remorse and horror stuff because she's killed a man.

That will be a close-up.
"All right, now; take your places.

Sure your gun is loose so you can pull it quick?
That's the feature of this scene, remember.

You want to get it across BIG! And make it real,--the scare, and all that.

Hey, you women get behind the camera! Bullets glance, sometimes, and play the very mischief." He looked all around to make sure that everything was as it should be, faced Jean again, and raised his hand.
"All ready?
Start your action! Camera!" Jean had never before been given so much dramatic work to do, and Burns watched her anxiously, wishing that he dared cut the scene in two and give Muriel that tense interval when Gil Huntley came creeping into the scene from behind the bush.