Too bad she's got to double for Gay.

She's got the face for close-up work, believe me!" To this tentative remark Robert Grant Burns made no reply whatever.

He went off down the path to meet Jean, critically watching her approach to see how nearly she resembled Muriel Gay, and how close she could come to the camera without having the substitution betrayed upon the screen.

Muriel Gay was a leading woman with a certain assured following among movie audiences.

Daring horsewomanship would greatly increase that following, and therefore the financial returns of these Western pictures.