[Ramuntcho by Pierre Loti]@TWC D-Link bookRamuntcho CHAPTER V 1/5
Eight o'clock in the evening.
They have dined at the cider mill, all the players except the vicar, under the patronage of Itchoua; they have lounged for a long time afterward, languid in the smoke of smuggled cigarettes and listening to the marvellous improvisations of the two Iragola brothers, of the Mendiazpi mountain--while outside, on the street, the girls in small groups holding one another's arms, looked at the windows, found pleasure in observing on the smoky panes the round shadows of the heads of the men covered with similar caps-- Now, on the square, the brass band plays the first measures of the fandango, and the young men, the young girls, all those of the village and several also of the mountain who have remained to dance, arrive in impatient groups.
There are some dancing already on the road, not to lose anything. And soon the fandango turns, turns, in the light of the new moon the horns of which seem to pose, lithe and light, on the enormous and heavy mountain.
In the couples that dance without ever touching each other, there is never a separation; before one another always and at an equal distance, the boy and the girl make evolutions with a rhythmic grace, as if they were tied together by some invisible magnet. It has gone into hiding, the crescent of the moon, fallen, one would think, in the black mountain; then lanterns are brought and hooked to the trunks of the plane-trees and the young men can see better their partners who, opposite them swing with an air of fleeing continually, but without increasing their distance ever: almost all pretty, their hair elegantly dressed, a kerchief on the neck, and wearing with ease gowns in the fashion of to-day.
The men, somewhat grave always, accompany the music with snaps of their fingers in the air: shaven and sunburnt faces to which labor in the fields, in smuggling or at sea, has given a special thinness, almost ascetic; still, by the ampleness of their brown necks, by the width of their shoulders, one divines their great strength, the strength of that old, sober and religious race. The fandango turns and oscillates, to the tune of an ancient waltz.
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