And they express, above all, death, as the large funereal slabs, with which the nave is paved, express it, as the cypress trees and the tombs express it, and all the things in this place, where the men come to pray, express it: death, always death .-- But a death very softly neighboring life, under the shield of the old consoling symbols--for life is there marked also, almost equally sovereign, in the warm rays which light up the cemetery, in the eyes of the children who play among the roses of autumn, in the smile of those beautiful brown girls who, the mass being finished, return with steps indolently supple toward the village; in the muscles of all this youthfulness of men, alert and vigorous, who shall soon exercise at the ball-game their iron legs and arms .-- And of this group of old men and of boys at the threshold of a church, of this mingling, so peacefully harmonious, of death and of life, comes the benevolent lesson, the teaching that one must enjoy in time strength and love; then, without obstinacy in enduring, submit to the universal law of passing and dying, repeating with confidence, like these simple-minded and wise men, the same prayers by which the agonies of the ancestors were cradled .-- It is improbably radiant, the sun of noon in this yard of the dead.
The air is exquisite and one becomes intoxicated by breathing it.

The Pyrenean horizons have been swept of their clouds, their least vapors, and it seems as if the wind of the south had brought here the limpidities of Andalusia or of Africa.
The Basque guitar and tambourine accompany the sung seguilla, which the beggars of Spain throw, like a slight irony into this lukewarm breeze, above the dead.

And boys and girls think of the fandango of to-night, feel ascending in them the desire and the intoxication of dancing .-- At last here come the sisters, so long expected by Ramuntcho; with them advance Gracieuse and her mother, Dolores, who is still in widow's weeds, her face invisible under a black cape closed by a crape veil.
What can this Dolores be plotting with the Mother Superior ?--Ramuntcho, knowing that these two women are enemies, is astonished and disquiet to-day to see them walk side by side.

Now they even stop to talk aside, so important and secret doubtless is what they are saying; their similar black caps, overhanging like wagon-hoods, touch each other and they talk sheltered under them; a whispering of phantoms, one would say, under a sort of little black vault .-- And Ramuntcho has the sentiment of something hostile plotted against him under these two wicked caps.
When the colloquy comes to an end, he advances, touches his cap for a salute, awkward and timid suddenly in presence of this Dolores, whose harsh look under the veil he divines.

This woman is the only person in the world who has the power to chill him, and, never elsewhere than in her presence, he feels weighing upon him the blemish of being the child of an unknown father, of wearing no other name than that of his mother.
To-day, however, to his great surprise, she is more cordial than usual, and she says with a voice almost amiable: "Good-morning, my boy!" Then he goes to Gracieuse, to ask her with a brusque anxiety: "To-night, at eight o'clock, say if you will be on the square to dance with me ?" For some time, every Sunday had brought to him the same fear of being deprived of dancing with her in the evening.