[Ramuntcho by Pierre Loti]@TWC D-Link bookRamuntcho CHAPTER IV 2/16
In front of the mountains, which have assumed violent brown or sombre green tints, and which seem to have advanced to-day until they overhang the church, houses of the village appear in relief, very neat, very white under their coat of kalsomine,--old Pyrenean houses with their wooden balconies and on their walls intercrossings of beams in the fashion of the olden time.
In the southwest, the visible portion of Spain, the denuded and red peak familiar to smugglers, stands straight and near in the beautiful clear sky. Gracieuse does not appear yet, retarded doubtless by the nuns in some altar service.
As for Franchita, who never mingles in the Sunday festivals, she takes the path to her house, silent and haughty, after a smile to her son, whom she will not see again until to-night after the dances have come to an end. A group of young men, among whom is the vicar who has just taken off his golden ornaments, forms itself at the threshold of the church, in the sun, and seems to be plotting grave projects .-- They are the great players of the country, the fine flower of the lithe and the strong; it is for the pelota game of the afternoon that they are consulting, and they make a sign to Ramuntcho who pensively comes to them.
Several old men come also and surround them, caps crushed on white hair and faces clean shaven like those of monks: champions of the olden time, still proud of their former successes, and sure that their counsel shall be respected in the national game, which the men here attend with pride as on a field of honor .-- After a courteous discussion, the game is arranged; it will be immediately after vespers; they will play the "blaid" with the wicker glove, and the six selected champions, divided into two camps, shall be the vicar, Ramuntcho and Arrochkoa, Gracieuse's brother, against three famous men of the neighboring villages: Joachim of Mendiazpi; Florentino of Espelette, and Irrubeta of Hasparren-- Now comes the "convoy", which comes out of the church and passes by them, so black in this feast of light, and so archaic, with the envelope of its capes, of its caps and of its veils.
They are expressive of the Middle Age, these people, while they pass in a file, the Middle Age whose shadow the Basque country retains.
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