Yet the spirit of the stern old republican remained to the last unbroken, realizing the truth of the language of his own Samson Agonistes:-- "But patience is more oft the exercise Of saints, the trial of their fortitude, Making them each his own deliverer And victor over all That tyranny or fortune can inflict." The curse of religious and political apostasy lay heavy on the land.
Harlotry and atheism sat in the high places; and the "caresses of wantons and the jests of buffoons regulated the measures of a government which had just ability enough to deceive, just religion enough to persecute." But, while Milton mourned over this disastrous change, no self-reproach mingled with his sorrow.

To the last he had striven against the oppressor; and when confined to his narrow alley, a prisoner in his own mean dwelling, like another Prometheus on his rock, he still turned upon him an eye of unsubdued defiance.

Who, that has read his powerful appeal to his countrymen when they were on the eve of welcoming back the tyranny and misrule which, at the expense of so much blood and treasure had been thrown off, can ever forget it?
How nobly does Liberty speak through him! "If," said he, "ye welcome back a monarchy, it will be the triumph of all tyrants hereafter over any people who shall resist oppression; and their song shall then be to others, 'How sped the rebellious English ?' but to our posterity, 'How sped the rebels, your fathers ?'" How solemn and awful is his closing paragraph! "What I have spoken is the language of that which is not called amiss 'the good old cause.' If it seem strange to any, it will not, I hope, seem more strange than convincing to backsliders.

This much I should have said though I were sure I should have spoken only to trees and stones, and had none to cry to but with the prophet, 'O earth, earth, earth!' to tell the very soil itself what its perverse inhabitants are deaf to; nay, though what I have spoken should prove (which Thou suffer not, who didst make mankind free; nor Thou next, who didst redeem us from being servants of sin) to be the last words of our expiring liberties." THE CITY OF A DAY.
The writer, when residing in Lowell, in 1843 contributed this and the companion pieces to 'The Stranger' in Lowell.
This, then, is Lowell,--a city springing up, like the enchanted palaces of the Arabian tales, as it were in a single night, stretching far and wide its chaos of brick masonry and painted shingles, filling the angle of the confluence of the Concord and the Merrimac with the sights and sounds of trade and industry.

Marvellously here have art and labor wrought their modern miracles.