[The Three Cities Trilogy by Emile Zola]@TWC D-Link bookThe Three Cities Trilogy PART III 45/231
Awaiting him in all readiness in the Cappella della Pieta were the cardinals, archbishops, and bishops, the whole pontifical prelacy, hierarchically classified and grouped.
And then, as at a signal from a ballet master, the _cortege_ made its entry, reaching the nave and ascending it in triumph from the closed Porta Santa to the altar of the Confession.
On either hand were the rows of spectators whose applause at the sight of so much magnificence grew louder and louder as their delirious enthusiasm increased. It was the _cortege_ of the olden solemnities, the cross and sword, the Swiss Guard in full uniform, the valets in scarlet simars, the Knights of the Cape and the Sword in Renascence costumes, the Canons in rochets of lace, the superiors of the religious communities, the apostolic prothonotaries, the archbishops, and bishops, all the pontifical prelates in violet silk, the cardinals, each wearing the _cappa magna_ and draped in purple, walking solemnly two by two with long intervals between each pair.
Finally, around his Holiness were grouped the officers of the military household, the chamber prelates, Monsignor the Majordomo, Monsignor the Grand Chamberlain, and all the other high dignitaries of the Vatican, with the Roman prince assistant of the throne, the traditional, symbolical defender of the Church.
And on the _sedia gestatoria_, screened by the _flabelli_ with their lofty triumphal fans of feathers and carried on high by the bearers in red tunics broidered with silk, sat the Pope, clad in the sacred vestments which he had assumed in the Chapel of the Blessed Sacrament, the amict, the alb, the stole, and the white chasuble and white mitre enriched with gold, two gifts of extraordinary sumptuousness that had come from France.
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