[The Three Cities Trilogy by Emile Zola]@TWC D-Link book
The Three Cities Trilogy

BOOK V
26/242

Movable wooden barriers--such as are set up at the doors of theatres when there is a press of people waiting for admission--had been placed on either side of the pavement running from the prison gate to the guillotine; and some sightseers were already leaning over these barriers, in order to secure a close view of the condemned man as he passed by.

Others were walking slowly to and fro, and conversing in undertones.

The brothers, for their part, approached the guillotine.
It stood there under the branches of the trees, amidst the delicate greenery of the fresh leaves of spring.

A neighbouring gas-lamp, whose light was turning yellow in the rising dawn, cast vague gleams upon it.
The work of fixing it in position--work performed as quietly as could be, so that the only sound was the occasional thud of a mallet--had just been finished; and the headsman's "valets" or assistants, in frock-coats and tall silk hats, were waiting and strolling about in a patient way.

But the instrument itself, how base and shameful it looked, squatting on the ground like some filthy beast, disgusted with the work it had to accomplish! What! those few beams lying on the ground, and those others barely nine feet high which rose from it, keeping the knife in position, constituted the machine which avenged Society, the instrument which gave a warning to evil-doers! Where was the big scaffold painted a bright red and reached by a stairway of ten steps, the scaffold which raised high bloody arms over the eager multitude, so that everybody might behold the punishment of the law in all its horror! The beast had now been felled to the ground, where it simply looked ignoble, crafty and cowardly.


<<Back  Index  Next>>

D-Link book Top

TWC mobile books