[Lord Kilgobbin by Charles Lever]@TWC D-Link bookLord Kilgobbin CHAPTER VI 4/12
'I don't suspect,' he would say, 'I should fancy John Bright coming down to "stables" and dictating to me how my Irish horses should be shod, or what was the best bit for a "borer."' He saw, besides, that the game of politics was a game of compromises: something was deemed admirable now that had been hitherto almost execrable; and that which was utterly impossible to-day, if done last year would have been a triumphant success, and consequently he pronounced the whole thing an 'imposition and a humbug.' 'I can understand a right and a wrong as well as any man,' he would say, 'but I know nothing about things that are neither or both, according to who's in or who's out of the Cabinet.
Give me the command of twelve thousand men, let me divide them into three flying columns, and if I don't keep Ireland quiet, draft me into a West Indian regiment, that's all.' And as to the idea of issuing special commissions, passing new Acts of Parliament, or suspending old ones, to do what he or any other intelligent soldier could do without any knavery or any corruption, 'John Bright might tell us,' but he couldn't. And here it may be well to observe that it was a favourite form of speech with him to refer to this illustrious public man in this familiar manner; but always to show what a condition of muddle and confusion must ensue if we followed the counsels that name emblematised; nor did he know a more cutting sarcasm to reply to an adversary than when he had said, 'Oh, John Bright would agree with you,' or, 'I don't think John Bright could go further.' Of a very different stamp was his companion.
He was a young gentleman whom we cannot more easily characterise than by calling him, in the cant of the day, 'of the period.' He was essentially the most recent product of the age we live in.
Manly enough in some things, he was fastidious in others to the very verge of effeminacy; an aristocrat by birth and by predilection, he made a parade of democratic opinions.
He affected a sort of Crichtonism in the variety of his gifts, and as linguist, musician, artist, poet, and philosopher, loved to display the scores of things he might be, instead of that mild, very ordinary young gentleman that he was.
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