In the same seventeenth century a very famous and popular English book was published by the naturalist John Ray, a fellow of the Royal Society, who produced a number of works on plants, fishes, and birds; but the most widely read of all was entitled The Wisdom of God manifested in the Works of Creation.

Between the years 1691 and 1827 it passed through nearly twenty editions.
Ray argued the goodness and wisdom of God from the adaptation of the animals not only to man's uses but to their own lives and surroundings.
In the first years of the eighteenth century Dr.Nehemiah Grew, of the Royal Society, published his Cosmologia Sacra to refute anti-scriptural opinions by producing evidences of creative design.

Discussing "the ends of Providence," he says, "A crane, which is scurvy meat, lays but two eggs in the year, but a pheasant and partridge, both excellent meat, lay and hatch fifteen or twenty." He points to the fact that "those of value which lay few at a time sit the oftener, as the woodcock and the dove." He breaks decidedly from the doctrine that noxious things in Nature are caused by sin, and shows that they, too, are useful; that, "if nettles sting, it is to secure an excellent medicine for children and cattle"; that, "if the bramble hurts man, it makes all the better hedge"; and that, "if it chances to prick the owner, it tears the thief." "Weasels, kites, and other hurtful animals induce us to watchfulness; thistles and moles, to good husbandry; lice oblige us to cleanliness in our bodies, spiders in our houses, and the moth in our clothes." This very optimistic view, triumphing over the theological theory of noxious animals and plants as effects of sin, which prevailed with so much force from St.Augustine to Wesley, was developed into nobler form during the century by various thinkers, and especially by Archdeacon Paley, whose Natural Theology exercised a powerful influence down to recent times.

The same tendency appeared in other countries, though various philosophers showed weak points in the argument, and Goethe made sport of it in a noted verse, praising the forethought of the Creator in foreordaining the cork tree to furnish stoppers for wine-bottles.
Shortly before the middle of the nineteenth century the main movement culminated in the Bridgewater Treatises.

Pursuant to the will of the eighth Earl of Bridgewater, the President of the Royal Society selected eight persons, each to receive a thousand pounds sterling for writing and publishing a treatise on the "power, wisdom, and goodness of God, as manifested in the creation." Of these, the leading essays in regard to animated Nature were those of Thomas Chalmers, on The Adaptation of External Nature to the Moral and Intellectual Condition of Man; of Sir Charles Bell, on The Hand as evincing Design; of Roget, on Animal and Vegetable Physiology with reference to Natural Theology; and of Kirby, on The Habits and Instincts of Animals with reference to Natural Theology.
Besides these there were treatises by Whewell, Buckland, Kidd, and Prout.