He warns those who, by taking another view than his own, "basely insult the Creator, to expect a judge who will annihilate them." He insists that all species of animals were created in six days, each made up of an evening and a morning, and that no new species has ever appeared since.

He dwells on the production of birds from the water as resting upon certain warrant of Scripture, but adds, "If the question is to be argued on physical grounds, we know that water is more akin to air than the earth is." As to difficulties in the scriptural account of creation, he tells us that God "wished by these to give proofs of his power which should fill us with astonishment." The controlling minds in the Roman Church steadfastly held this view.

In the seventeenth century Bossuet threw his vast authority in its favour, and in his Discourse on Universal History, which has remained the foundation not only of theological but of general historical teaching in France down to the present republic, we find him calling attention to what he regards as the culminating act of creation, and asserting that, literally, for the creation of man earth was used, and "the finger of God applied to corruptible matter." The Protestant world held this idea no less persistently.

In the seventeenth century Dr.John Lightfoot, Vice-Chancellor of the University of Cambridge, the great rabbinical scholar of his time, attempted to reconcile the two main legends in Genesis by saying that of the "clean sort of beasts there were seven of every kind created, three couples for breeding and the odd one for Adam's sacrifice on his fall, which God foresaw"; and that of unclean beasts only one couple was created.
So literal was this whole conception of the work of creation that in these days it can scarcely be imagined.

The Almighty was represented in theological literature, in the pictured Bibles, and in works of art generally, as a sort of enlarged and venerable Nuremberg toymaker.