It was comfortably hung with a sort of warm-coloured worsted, manufactured in Scotland, approaching in trexture to what is now called shalloon.

A staring picture of John [Gibbie] Girder himself ornamented this dormiory, painted by a starving Frenchman, who had, God knows how or why, strolled over from Flushing or Dunkirk to Wolf's Hope in a smuggling dogger.

The features were, indeed, those of the stubborn, opinionative, yet sensible artisan, but Monsieur had contrived to throw a French grace into the look and manner, so utterly inconsistent with the dogged gravity of the original, that it was impossible to look at it without laughing.

John and his family, however, piqued themselves not a little upon this picture, and were proportionably censured by the neighbourhood, who pronounced that the cooper, in sitting for the same, and yet more in presuming to hang it up in his bedchamber, had exceeded his privilege as the richest man of the village; at once stept beyond the bounds of his own rank, and encroached upon those of the superior orders; and, in fine, had been guilty of a very overweening act of vanity and presumption.

Respect for the memory of my deceased friend, Mr.Richard Tinto, has obliged me to treat this matter at some length; but I spare the reader his prolix though curious observations, as well upon the character of the French school as upon the state of painting in Scotland at the beginning of the 18th century.
The other preparations of the Master's sleeping apartment were similar to those in the chamber of dais.
At the usual early hour of that period, the Marquis of A---- and his kinsman prepared to resume their journey.